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Netflix's Matthew Perry Docuseries Focuses on Intimate Relationships Over Star Power

The three-part film directed by Mary Robertson excludes Friends co-stars and major creative figures, relying instead on accounts from family, friends, and colleagues who worked alongside the actor.

By Sophie Lawson ·

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Netflix has released a three-part documentary titled The One About Matthew Perry, directed by Mary Robertson. The project distinguishes itself by excluding the surviving cast of Friends and key creative personnel from the sitcom. Instead, the film centers on the personal relationships of the late actor, focusing on the impact of his life and death on those around him.

The absence of major stars creates a deliberate structural choice for the production. Robertson did not include co-stars such as Lisa Kudrow or David Schwimmer, nor did she feature prominent writers or producers from the show's run. The only writer from the first season to appear is Jeff Strauss. Warren Littlefield, who served as NBC's entertainment president during the series, is the sole high-profile figure from the Friends era included in the documentary.

This approach shifts the narrative away from a standard celebrity retrospective. The film does not function as a comprehensive celebration of Perry's comic career or a detailed investigation into the criminal aspects of his death. Those subjects were addressed in a previous Peacock documentary. The Netflix series instead examines addiction and the mechanics of celebrity through the lens of people who were close to Perry but not necessarily part of his highest-profile professional circle.

Mia Perry Bowick, Perry's younger sister, provides a central perspective in the series. She was born when Perry was 14 and grew up with a famous sibling. Her decision to become a psychotherapist was influenced by watching her brother struggle with addiction for decades. Bowick describes learning about his first rehab stint from a tabloid headline and recalls the day of his death. Her account offers a private view of the family dynamic that differs from public entertainment narratives.

Other contributors include Roger Castillo and David Pressman, who were friends with Perry during his early, struggling years as an actor in Hollywood. The documentary also features former girlfriends who knew Perry intimately but were not part of his most famous romantic relationships. René Ashton is one such contributor, offering a personal account of their time together. These voices replace the expected tributes from A-list colleagues.

The film highlights specific individuals who played roles in Perry's recovery and advocacy. Tim Harrington met Perry in a recovery program and lived at Perry's house for a year. West Huddleston worked with the actor on drug court advocacy campaigns. The narrative emphasizes the difficulty of supporting a person with addiction, suggesting that even with full effort and love, those close to the actor often felt they could not do enough.

The production length includes extensive biographical details and archival footage from Perry's talk show appearances. Some of this material repeats stories Perry told frequently in other media. The inclusion of general commentary on Perry's talent and the success of Friends is handled by a single cultural critic. These segments aim to provide context on his career before focusing on his personal struggles.

The documentary balances intimate, often painful interviews with broader context on the actor's life. It avoids a sensationalized tone, presenting the stories of those who knew Perry in a direct manner. The final result is a portrait that prioritizes the experiences of the inner circle over a retrospective on his professional achievements. The series is currently available on Netflix.

Source: The Hollywood Reporter

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